Bound and unbound…


Here’s a little bit of restoration with a twist – the graphic from the front of the Puffin Post Binder. Old Members will remember that it was shiny metallic gold on a slightly textured red or, later on, pink vinyl folder. This photographed (and scanned) very badly, so I elected to extract it and recreate the look. Isn’t it lovely!!

I remember taking exception to the club colour being pink, but looking back through slightly rose coloured glasses, I’m actually quite fond of it now.

For those who are unaware – the classic Penguin book spines were orange (a sign of a dyed-in-the-wool intellectual was a bookshelf bursting with orange spines that were all creased through heavy reading).
Puffin books had a pink spine (except for the wrap-around covers, or those whose artwork demanded a certain coordination) – I’m sure it seemed only natural that the club colour should echo this. As a child my own complete collection of Dr Dolittle books made a big band of unbroken pink on my bookshelves. This helped me get over my pink aversion – just as well considering that I now have two daughters!

The current Puffin spine colour is of course yellow, but whether a future Puffin Club would embrace the colour convention is anybody’s guess.

Bound and unbound…


Here’s a little bit of restoration with a twist – the graphic from the front of the Puffin Post Binder. Old Members will remember that it was shiny metallic gold on a slightly textured red or, later on, pink vinyl folder. This photographed (and scanned) very badly, so I elected to extract it and recreate the look. Isn’t it lovely!!

I remember taking exception to the club colour being pink, but looking back through slightly rose coloured glasses, I’m actually quite fond of it now.

For those who are unaware – the classic Penguin book spines were orange (a sign of a dyed-in-the-wool intellectual was a bookshelf bursting with orange spines that were all creased through heavy reading).
Puffin books had a pink spine (except for the wrap-around covers, or those whose artwork demanded a certain coordination) – I’m sure it seemed only natural that the club colour should echo this. As a child my own complete collection of Dr Dolittle books made a big band of unbroken pink on my bookshelves. This helped me get over my pink aversion – just as well considering that I now have two daughters!

The current Puffin spine colour is of course yellow, but whether a future Puffin Club would embrace the colour convention is anybody’s guess.

No images for a while…


Dear blog reader (if you are actually there!!)

There has been a break in service due to lots of work that had to be done, and a Cambridge folk festival that had to be attended. (I’d also run out out of previously finished restoration projects)

To make up for it, here is a Quentin Blake cartoon that was destined for one of the Puffin Annuals. Sadly, there just wasn’t enough room, but it was printed in the pages of Puffin Post – never to be seen again!!!


Professor Blake did many cartoons and mini strips for the Puffin Club and was almost as much a part of the visual personality of the club as Jill McDonald. The contrast in styles had a cross-over in their humour and (again) the surreal side of their narrative.

Please remember that this image is the creative property of Quentin Blake

No images for a while…


Dear blog reader (if you are actually there!!)

There has been a break in service due to lots of work that had to be done, and a Cambridge folk festival that had to be attended. (I’d also run out out of previously finished restoration projects)

To make up for it, here is a Quentin Blake cartoon that was destined for one of the Puffin Annuals. Sadly, there just wasn’t enough room, but it was printed in the pages of Puffin Post – never to be seen again!!!


Professor Blake did many cartoons and mini strips for the Puffin Club and was almost as much a part of the visual personality of the club as Jill McDonald. The contrast in styles had a cross-over in their humour and (again) the surreal side of their narrative.

Please remember that this image is the creative property of Quentin Blake

Badges, Badges, Badges

I’ve promised these for a while, so here they are! I found myself sitting next to Kaye Webb at one of the Commonwealth Institute Puffin Exhibitions and was stunned to see her sporting not just one, but three badges! I asked her how I could get them and where they were from.

She told me that the Gold Badge (no.4) was for founder members or those who had done something particularly special.

The Green Badge (no.3) was the members badge in Australia (though Kaye was wearing her Founders Green Badge that looked a bit like her Gold Badge.

The remaining badges are the standard White Badge (no.1) that I have found in different versions – The earlier badges were genuine enamel made by the Davis Badge company of London. Later versions were made with a plastic insert instead of enamel. (You will see a lot of these on ebay).

The last badge is the Black Badge (no.2) that was earned for being a member for four years – these were only ever made in enamel and the quality varied from well finished and ground to rough and distinctly ropey.

The members badge was of course the Puffin Logo designed by Jill McDonald when Kaye Webb became editor of Puffin Books in 1961.

Other classic button badges were made for the various events. I collected a pile of these and some survived better than others. Watch for these in future posts.

As a small addition – I have since learned that there was one solitary badge of gold that was made for club President, Yehudi Menuhin. This was a special gift from Kaye Webb. I assume it is still with the Menuhin family.

Badges, Badges, Badges

I’ve promised these for a while, so here they are! I found myself sitting next to Kaye Webb at one of the Commonwealth Institute Puffin Exhibitions and was stunned to see her sporting not just one, but three badges! I asked her how I could get them and where they were from.

She told me that the Gold Badge (no.4) was for founder members or those who had done something particularly special.

The Green Badge (no.3) was the members badge in Australia (though Kaye was wearing her Founders Green Badge that looked a bit like her Gold Badge.

The remaining badges are the standard White Badge (no.1) that I have found in different versions – The earlier badges were genuine enamel made by the Davis Badge company of London. Later versions were made with a plastic insert instead of enamel. (You will see a lot of these on ebay).

The last badge is the Black Badge (no.2) that was earned for being a member for four years – these were only ever made in enamel and the quality varied from well finished and ground to rough and distinctly ropey.

The members badge was of course the Puffin Logo designed by Jill McDonald when Kaye Webb became editor of Puffin Books in 1961.

Other classic button badges were made for the various events. I collected a pile of these and some survived better than others. Watch for these in future posts.

As a small addition – I have since learned that there was one solitary badge of gold that was made for club President, Yehudi Menuhin. This was a special gift from Kaye Webb. I assume it is still with the Menuhin family.

Puffin Post Vol.7 no.3

Time for Odway the dog to get the main billing for a change! This issue featured the first episode of the Odway strip ‘Ye Great Enigma of ye Golden Fleas’ – a perfect example of the surreal humour of Jill McDonald.

This issue featured:

Short Stories:

How the Starling Flew South – by Paul Biegel
The Romance of a plain Princess – by Ursula Moray Williams

Meet your Author – Joan Lingard, The Book that nearly wasn’t written
Beginnings by Jane Gardam
Can we save our Wildlife – by Kenneth Mellanby (Another environmental article!)
Brand Rustling – by Ken Ullyat

Puffin Post Vol.7 no.3

Time for Odway the dog to get the main billing for a change! This issue featured the first episode of the Odway strip ‘Ye Great Enigma of ye Golden Fleas’ – a perfect example of the surreal humour of Jill McDonald.

This issue featured:

Short Stories:

How the Starling Flew South – by Paul Biegel
The Romance of a plain Princess – by Ursula Moray Williams

Meet your Author – Joan Lingard, The Book that nearly wasn’t written
Beginnings by Jane Gardam
Can we save our Wildlife – by Kenneth Mellanby (Another environmental article!)
Brand Rustling – by Ken Ullyat